2022
H: 5 1/8" D: 6" D: 3 1/3" 2022
H: 5 1/4" W: 4" D: 5" 2022
H: 4 3/4" D: 6" W: 3 1/4" 2022
H: 14 1/2" W: 15" D: 18" 2021 In this newer body of work I am calling "Bird/Thorn/Claw", I am exploring how nature counters threats with visual markers such as beaks, thorns and claws. Through the use of color texture and ornament, I aim to question qualities of attraction and repulsion.
H: 7 3/4" W: 5 1/2" D: 8" 2021 In this newer body of work I am calling "Bird/Thorn/Claw", I am exploring how nature counters threats with visual markers such as beaks, thorns and claws. Through the use of color texture and ornament, I aim to question qualities of attraction and repulsion.
H: 8 3/4" L: 17" W: 7" 2021 In this newer body of work I am calling "Bird/Thorn/Claw", I am exploring how nature counters threats with visual markers such as beaks, thorns and claws. Through the use of color texture and ornament, I aim to question qualities of attraction and repulsion.
H: 4 ¼” Diam: 10 ½” 2019 With this piece, I chose to explore contrasting textures. The hard ceramic is paired with a pillowy spun wool.
H: 6" L: 11" W: 10 1/2" 2019 Spring explores movement as a method of communication. The orange fronds beckon to the viewer to look more closely at what is in the object's recess, the red seeds.
H: 4" W: 2" D: 2" 2018 The interior texture of this vegetal form was inspired by the the fleshy interior of oranges or lychee fruits and the exterior was loosely inspired by pineapples.
L: 12 1/2" H: 4" D: 4" 2018 The piece explores communication and protection. Evoking a marine creature, Vibrate uses its tentacles to get the viewer to take a interest in the eggs that are nestled within.
L: 11" W: 2 1/2" D: 2 1/2" 2018
H: 9” Diam: 12” 2019
H: 5 3/4" W: 13" D: 13" 2017
H: 9 1/2" W: 4 1/2" D: 7" 2018
H: 4" W: 3 1/2" L: 11" 2018
2" 2 1/2" 6 1/4" 2" 2 1/2" 6 1/4" 2" 2 1/2" 6 1/4" 2018
H: 7" W: 4" D: 5" 2018
H: 6" W: 4" D: 4" 2018
H: 9" D: 11 1/2" 2017
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here the fronds are an indicator of danger. This is the most recent piece in the series. H: 4 1/4" W: 3 1/2" D: 1 1/2" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here the fronds are protective and hand-like. H: 2 1/2" W: 2 1/4" L: 3 1/2" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here the frond offers protection. H: 7 1/4" W: 4" L: 7" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here the relationship between the fronds and the seeds is unclear. H: 5 3/4" W: 3" L: 5 3/4" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here the fronds offer protection. H: 7 5/8" W: 3 1/4" D: 3 1/2" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here the fronds offer protection. H: 7" W: 3" D: 3" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. This is an abstracted version of a protected seed. H: 8" W: 11" D: 11" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here the seeds are luscious and inviting. H: 5" W: 7 1/4" D: 7 3/8" 2016
The Barrier series is a reflection upon the idea of the seed. Seeds can be abundant, and they can also be few and precious. Here I explore how seeds can be protected. The exterior leaves are slick and healthy-looking on the exterior and have a menacing texture on the interior. H: 4 3/4" W: 5" D: 5" 2015